A roadrunner hunts for prey at Pima Community College West Campus.
Andrew's Blog
Wednesday, October 9, 2013
Wednesday, September 18, 2013
Assignment Four: Gathering Caption information
Pima Community College students Samuel Bello, left, and Huemac Badilla share a laugh in between classes at West Campus. Badilla is in his first semester at Pima and plans to transfer to the University of Arizona. Bello is currently in his second year at PCC and plans to transfer as well. Both students are enjoying their time while attending Pima.
Wednesday, September 11, 2013
Assignment 2: Biography of Therese Bonney
Therese Bonney |
Therese Bonney was an American photojournalist who was most
famous for images she captured during and after the Russian invasion of Finland
in World War II. Bonney also was known for photographs depicting the effects of
war on civilians, particularly children. She is recognized as an influential
photojournalist who used the power of the media to bring about humanitarian
changes that she felt was needed.
Mabel Therese Bonney was born in Syracuse, New York on July
15, 1894. Her family moved to California when she was 3, where she lived until
receiving her Bachelor of Arts degree from the University of California,
Berkley. She earned her master’s degree from Radcliff College in Cambridge,
Massachusetts the following year before moving to Paris. She earned a
scholarship to attend the Sorbonne, becoming the first American to receive the award.. She received her docteur-des-lettres degree
in 1921, becoming the youngest person at the time to do so. After graduating,
Bonney received several prestigious scholarships and grants to study Germany’s
contributions to the history of photography. (www.britannica.com/ebchecked/topic/73205/therese-bonney)
During this time, Bonney was motivated by a desire to
promote cultural exchange between France and the United States. In 1919, while
studying at Sorbonne, Bonney established the American Red Cross Correspondence
Exchange to foster communication between children of the two countries.
Starting around 1925, Bonney was documenting the French decorative arts through photography. Bonney did not take the photographs herself, instead gathering them from other photographers, photo agencies, architects, and designers. In the early ‘30s, she established the first American illustrated press service, known as the Bonney Service, which supplied photographs to newspapers in 33 countries. She began pursuing her own career as a photographer at this time, and her own photographs were often included in her service.
In 1938, Bonney published a behind-the-scenes series of photographs of the Vatican for Life magazine, and the photographs were republished in a book the following year. This marked her first success as a photojournalist and helped establish her as a known photographer.
Bonney then travelled to Finland to document preparation of the 1940 Winter Olympics. While she was in the country, the Russian invasion began, making Bonney the only photojournalist in the country for most of the conflict. For her bravery displayed during combat, Bonney was awarded the Order of the White Rose of Finland medal.
Image from Bonney's "The Vatican" |
After leaving Finland, she returned to France and began
working with the American Red Cross. When war broke out in the country, she
assisted with the evacuation of refugees until she was forced to leave as well.
In June 1940, Bonney was appointed as an official photographer of the French
army and was given full privileges in the war zone. She was the only foreign
journalist to witness the Battle of the Meuse, which she documented
extensively.
Woman with child in Finland, approx 1940. Photographer: Thérèse Bonney. |
She returned to the United States and arranged her
photographs for a Library of Congress exhibition entitled “To Whom the Wars are
Done.” These photographs depicted the effects of wars on ordinary people,
specifically children, women and the elderly. Her photographs were widely
recognized for their value as primary historical documents, and were so
powerful that Bonney received a grant from the Carnegie Corporation to return
to Europe and document the effects of the war on civilian populations. She
returned to Europe in February 1941 and began recording the events once again.
(http://web.sbu.edu/friedsam/archives/biographies/theresebonney/bonneybio.htm)
Bonney photographed the plight of innocents across Europe,
from Spain and Portugal to the unoccupied French territory. Her efforts to
raise awareness of the effect of war on children earned Bonney recognition from
the French Ministry of War. She collected some of her most famous images during
this time, which would appear in her groundbreaking book, “Europe’s Children.”
The photographs were shocking to many people who had never
imagined how wars could affect so many people in vastly different ways. “Europe’s Children” showed how
photojournalists can use the power of the camera to convey a message and even
bring about change. Bonney blurred the line between journalist and activist,
and described her assignments as “truth raids.” She once said “I go forth
alone, try to get the truth and then bring it back and try to make others face
it and do something about it.” (www.loc.gov/exhibits/wcf/wcf0007.html)
Image from Bonney's book "Europe's Children" which showcases the effects of war on innocent victims. |
“Europe’s Children” was a self-published work, a move
necessitated after the book was turned down by several publishers. Bonney was
not content having her work published in mainstream newspapers and magazines,
which led her to hold one-woman shows at the Library of Congress, the Museum of
Modern Art, and many other museums. Her
concept for a film about children displaced by war was made into an
Academy-award winning movie “The Search.” Bonney was also the heroine of a
wartime propaganda comic book entitled “Photo-Fighter.”
Image from "Photo-Fighter" featuring Bonney. |
Therese Bonney’s contributions to photography and
photojournalism cannot be overstated. Without Bonney, photographs that are
considered historical documentation would not exist. Images of the Russian
invasion of Finland as well as several key battles are only here today because
of Bonney. Also, the photo-sharing service she created was the first of its
kind and was the forbearer of many media sharing services that still exist to
this day.
She also recognized the power of media and photography to
bring about change in the hearts and minds of the civilian population. By
displaying her images of war’s effects on ordinary people, she struck a chord
with those who realized the people in her photos could just as easily be them.
She personalized the conflict in a way that had not before been done, and
helped people understand how tragic war really is. Bonney should be remembered
for her contributions to the worlds of photography, photojournalism and
humanitarianism.
Wednesday, September 4, 2013
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